How many letters does the first takhti teach?
29 single letters (huroof-e-mufradat). Each one has its own Arabic sound that comes from its own makhraj, so learn the sound, not only the shape.
ا ب ت ث ج
Every tajweed rule of the Noorani Qaida, explained takhti by takhti in short, simple answers with examples from the Qur’an — for children, adults and teachers who want to revise.
29 single letters (huroof-e-mufradat). Each one has its own Arabic sound that comes from its own makhraj, so learn the sound, not only the shape.
ا ب ت ث ج
The musta'liyah letters: خ ص ض غ ط ق ظ. They are gathered in the short phrase خُصَّ ضَغْطٍ قِظْ — say the phrase and you have all seven.
خُصَّ ضَغۡطٍ قِظۡ
With a full mouth and a thick sound (tafkheem), whatever sign they carry. The back of the tongue rises; even with zer they stay thick, only a little less than with zabar.
قَ قِ قُ
Four (shafawi): ب ف م و. ب and م close both lips, و rounds them without closing, and ف touches the inside of the lower lip to the tips of the upper front teeth.
ب ف م و
Three (safeer): ص س ز. They come from the tip of the tongue near the front teeth, and a light whistle is heard in them — keep it light, not sharp.
ص س ز
Sixteen letters, in seven groups (qareeb-us-sawt): ت ط · ث س ص · ذ ز ظ · د ض · ک ق · ح ہ · ء ع. Mixing up two of them can change the meaning of a word, so read each group side by side until every letter keeps its own makhraj.
ت ط · ث س ص · ذ ز ظ · د ض
Six (halqi), in three pairs: ء ہ from the deepest part, ع ح from the middle, غ خ from the part nearest the mouth. These six also matter later: before them noon sakin is read clearly (izhar).
ء ہ · ع ح · غ خ
Each letter is read by its name, one by one. A three-letter name with the madd sign (لٓام، مٓیم، صٓاد…) is stretched 6 counts; a two-letter name (حا، یا، طا، ہا، را) only 2. The عٓ in کٓہٰیٰعٓصٓ and عٓسٓقٓ may be 6 or 4 counts — 6 is preferred.
الٓمّٓ · کٓہٰیٰعٓصٓ
The three short vowel signs: zabar (fatha) — a small slanting line above the letter, zer (kasra) — the same line below it, and pesh (damma) — a small و-shaped sign above it.
بَ بِ بُ
Short and clean, in an Arabic accent: one count only. Do not pull it longer, do not cut it with a jerk, and do not turn zer into "e" or pesh into "o".
بَ بِ بُ
Tanween is a doubled sign at the end of a word: two zabar ـً, two zer ـٍ or two pesh ـٌ. It stands for a noon sakin that is heard but not written, so we read "an", "in", "un". That is also why all the noon sakin rules apply to tanween.
بًا بٍ بٌ
Standing zabar ـٰ, standing zer ـٖ and ulta (inverted) pesh ـٗ. They look like small upright versions of zabar, zer and pesh.
بٰ بٖ بٗ
Exactly like a madd letter: one alif, that is 2 counts. Count two on your fingers: هٰذَا, بِهٖ, لَهٗ.
ہٰذَا · بِہٖ · لَہٗ
Three: ا و ی — alif, waw and yaa, when they lengthen the sound before them.
قَالَ · قِیۡلَ · یَقُوۡلُ
Match the sign before it: alif after zabar (alif never carries a sign of its own), waw sakin after pesh, yaa sakin after zer. Zabar–alif, pesh–waw, zer–yaa.
بَا · بُوۡ · بِیۡ
One alif = 2 counts (natural madd). Not shorter, not longer — as long as no hamzah or sukoon comes after it.
یَقُوۡلُوۡنَ
Alif has no sound of its own, so it copies the letter before it: thick after a heavy letter (قَالَ، طَابَ، رَاعِنَا) and thin after a light one (کَانَ، بَابَ).
قَالَ · کَانَ
Two: waw sakin or yaa sakin with zabar before them (وْ یْ after zabar). "Leen" means soft.
خَوۡفٍ · بَیۡتِ
Gently and quickly when you are reading on: no stretching and no jerk — just a soft glide, as in قُرَیْشٍ and خَوْفٍ. (Stopping on them is a different case — see takhti 16.)
قُرَیۡشٍ · خَوۡفٍ
The sign ـْ means the letter has no vowel. Join it to the letter before it in one breath: اَبْ is read "ab", قُلْ is read "qul".
اَبۡ · قُلۡ
Shaking or echoing. When a qalqalah letter is sakin, its makhraj is let go with a small bounce, so a short echo is heard — without adding any vowel to it.
اَقۡ · اَطۡ
Five: ق ط ب ج د. Keep them together with the phrase قُطْبُ جَدٍّ.
قُطۡبُ جَدٍّ
Whenever the letter is sakin. In the middle of a word it is light (یَجْعَلُوْنَ); when you stop on it at the end of a word it is at its strongest (اَحَدْ، الْفَلَقْ).
اَحَدۡ · الۡفَلَقۡ
With a clean, sudden catch in the throat — the sound stops sharply at the hamzah. Do not drop it, and do not turn it into a long vowel.
مُؤۡصَدَۃٌ · اِقۡرَاۡ
Four, decided by the letter that comes next: izhar (clear), ikhfa (hidden), idgham (merged) and iqlab (changed into meem). Izhar and ikhfa are practised in this takhti; idgham and iqlab in takhti 14.
اِظۡہَار · اِخۡفَاء · اِدۡغَام · اِقۡلَاب
Izhar means "making clear". When one of the six throat letters (ء ہ ع ح غ خ) comes after noon sakin or tanween, say the noon clearly from its own place, with no nasal ghunnah: اَنْعَمْتَ، مَنْ اٰمَنَ، عَذَابٌ اَلِیْمٌ.
اَنۡعَمۡتَ · مَنۡ اٰمَنَ
Ikhfa means "hiding". When one of the 15 ikhfa letters comes after noon sakin or tanween, the noon is not pronounced fully with the tongue; it is hidden in the nose with ghunnah for about 2 counts, and the mouth already prepares for the next letter: اَنْزَلْنَا، مِنْ شَرِّ.
اَنۡزَلۡنَا · مِنۡ شَرِّ
ت ث ج د ذ ز س ش ص ض ط ظ ف ق ک. A traditional memory line gives them as the first letters of its words: صِفْ ذَا ثَنَا کَمْ جَادَ شَخْصٌ قَدْ سَمَا ۞ دُمْ طَیِّبًا زِدْ فِیْ تُقًی ضَعْ ظَالِمَا. Or simply: every letter that is not a throat letter, not a yarmaloon letter and not ب or ا.
صِفۡ ذَا ثَنَا کَمۡ جَادَ شَخۡصٌ قَدۡ سَمَا
Tashdeed is the small sign ـّ (shaped like a little "w") written on a letter. That letter is called mushaddad — "doubled".
رَبِّ · اِنَّ
As two letters in one: first it is sakin and joins the voweled letter before it, then it is read again with its own harakah — firmly, with a slight hold. اَبَّ = اَبْ + بَ.
اَبَّ = اَبۡ + بَ
Ghunnah is the humming sound that comes through the nose. It lasts one alif — 2 counts. Try it: hold your nose on نّ and the sound stops.
اِنَّ · ثُمَّ
Always with ghunnah for 2 counts — in the middle of reading and also when you stop on them.
اِنَّ · ثُمَّ · اَمَّا
Pressed firmly, with their full weight. If you stop on such a letter at the end of a word (الْحَقّْ), keep the doubling and give the strongest qalqalah.
تَبَّتۡ · الۡحَقّۡ
Tafkheem: reading a letter thick and full-mouthed (as in قَ). Tarqeeq: reading it thin and light (as in کَ). The seven heavy letters are always tafkheem; ر, the lam of اللّٰه and alif can be either.
قَ / کَ
Look at the letter just before it. Zabar or pesh → heavy (قَالَ اللّٰهُ، رُسُلُ اللّٰهِ; also when you begin with اَللّٰهُ). Zer → light (بِسْمِ اللّٰهِ، لِلّٰهِ).
قَالَ اللّٰہُ · بِسۡمِ اللّٰہِ
Because of the next letter. Before the 14 "sun letters" (ت ث د ذ ر ز س ش ص ض ط ظ ل ن) the lam merges into them and they take a shadda. Before the other 14, the "moon letters", the lam is read clearly with jazm.
اَلشَّمۡسُ · اَلۡقَمَرُ
Idgham means "merging". When a yarmaloon letter starts the next word, the noon disappears into it and that letter is read doubled (with a shadda): مِنْ رَّبِّهِمْ، مَنْ یَّقُوْلُ.
مِنۡ رَّبِّہِمۡ · مَنۡ یَّقُوۡلُ
Six: ی ر م ل و ن, from the word یَرْمَلُوْنَ. With four of them — ی ن م و (یَنْمُوْ) — the merge has ghunnah; with ل and ر it has no ghunnah at all.
یَرۡمَلُوۡنَ
Yes — when both are inside the same word. Then the noon is read clearly (izhar mutlaq), without ghunnah. In the Qur'an this happens in four words only: دُنْیَا، بُنْیَانٌ، قِنْوَانٌ، صِنْوَانٌ.
دُنۡیَا · قِنۡوَانٌ
Iqlab means "turning over". When ب comes after noon sakin or tanween, the noon is changed into a meem and that meem is hidden with ghunnah, lips gently closed. The mushaf shows it with a small meem ۢ: مِنْۢ بَعْدِ.
مِنۡۢ بَعۡدِ · سَمِیۡعٌۢ بَصِیۡرٌ
Idgham shafawi, ikhfa shafawi and izhar shafawi. "Shafawi" means "of the lips", because meem is a lip letter. Which rule applies depends on the letter after the meem.
لَہُمۡ مَّا · تَرۡمِیۡہِمۡ بِحِجَارَۃٍ · عَلَیۡہِمۡ غَیۡرِ
When meem sakin is followed by another meem: the two meems become one doubled meem, read with ghunnah for 2 counts — لَهُمْ مَّا، کَمْ مِّنْ.
لَہُمۡ مَّا · کَمۡ مِّنۡ
When meem sakin is followed by ب: the meem is hidden with ghunnah, the lips touching lightly, and then the ب is read — تَرْمِیْهِمْ بِحِجَارَةٍ.
تَرۡمِیۡہِمۡ بِحِجَارَۃٍ
Before every letter except م and ب: the meem is read clearly, with no ghunnah — عَلَیْهِمْ غَیْرِ. Be extra careful before و and ف, where the lips tempt us to hide it: هُمْ فِیْهَا.
عَلَیۡہِمۡ غَیۡرِ · ہُمۡ فِیۡہَا
Madd means "stretching". A madd letter is 2 counts by nature; it grows longer only for a reason, and there are just two reasons: a hamzah (ء) or a sukoon coming after it.
جَآءَ · الضَّآلِّیۡنَ
Six. Because of a hamzah: madd muttasil and madd munfasil. Because of a permanent sukoon: madd lazim and madd leen lazim. Because of a sukoon that appears only when stopping: madd 'arid and madd leen 'arid.
مُتَّصِل · مُنۡفَصِل · لَازِم · عَارِض
"Joined" madd: the madd letter and the hamzah are in the same word — جَآءَ، السَّمَآءِ. Stretch it 4 or 5 counts (2 or 2½ alif), and keep the same length every time.
جَآءَ · السَّمَآءِ
"Separated" madd: the madd letter ends one word and the hamzah begins the next — بِمَآ اُنْزِلَ، یٰٓاَیُّهَا. It is also stretched 4 or 5 counts.
بِمَآ اُنۡزِلَ · یٰٓاَیُّہَا
A madd letter followed by a sukoon that never goes away — a jazm or a shadda in the same word: الضَّآلِّیْنَ، دَآبَّةٍ، آٰلْئٰنَ. It is the longest madd: always a full 6 counts (3 alif).
الضَّآلِّیۡنَ · آٰلۡئٰنَ
A leen letter followed by a permanent sukoon. It occurs only in the name of the letter عٓ (ʿayn) in کٓهٰیٰعٓصٓ (Maryam 1) and حٰمٓ ۚ عٓسٓقٓ (Ash-Shura 1–2). Stretch it 6 counts; 4 is also allowed, but 6 is preferred.
کٓہٰیٰعٓصٓ · حٰمٓ عٓسٓقٓ
When you stop on a word, its last letter becomes sakin. If a madd letter stands just before that letter, the madd may be read 2, 4 or 6 counts: الْعٰلَمِیْنْ، نَسْتَعِیْنْ. Choose one length and keep it the same throughout your recitation.
الۡعٰلَمِیۡنۡ · نَسۡتَعِیۡنۡ
The same idea with a leen letter: when you stop on a word and a leen letter comes just before its last letter, it may be read 2, 4 or 6 counts — خَوْفْ، الْبَیْتْ. While reading on, the leen stays short and soft.
خَوۡفۡ · الۡبَیۡتۡ
(1) When it has zabar, pesh, two zabar, two pesh or a standing zabar — رَبُّ، رُسُلٌ، ذِکْرٰی.
(2) When it is sakin and the letter before has zabar or pesh — مَرْیَمَ، قُرْاٰنٌ.
(3) When it is sakin after a temporary zer — اِرْجِعِیْ.
(4) When it is sakin after a zer that belongs to the previous word — رَبِّ ارْجِعُوْنِ.
(5) When it is sakin after zer but a heavy letter follows it in the same word — مِرْصَادًا، قِرْطَاسٍ.
رَبُّ · مَرۡیَمَ · ذِکۡرٰی · اِرۡجِعِیۡ · مِرۡصَادًا
(1) When it has zer or two zer — رِجَالٌ.
(2) When it is sakin after an original zer in the same word and no heavy letter comes after it — فِرْعَوْنَ.
(3) When you stop on it and a sakin ی comes before it — خَیْرْ، قَدِیْرْ.
رِجَالٌ · فِرۡعَوۡنَ · خَیۡرۡ
Some Qur'anic words begin with an alif that has no sign of its own (hamzat-ul-wasl). When you start reading from such a word you give that alif a zer just to begin — اِرْجِعِیْ. That zer is borrowed, not part of the word, so a sakin ر after it stays heavy.
اِرۡجِعِیۡ · اِرۡتَابُوۡا
Waqf means stopping: ending the voice — and usually taking a breath — at the end of a word, then reading on. On the stopped word, any zabar, zer, pesh, two zer or two pesh on the last letter is dropped and the letter becomes sakin: نَسْتَعِیْنُ → نَسْتَعِیْنْ.
نَسۡتَعِیۡنُ ← نَسۡتَعِیۡنۡ
The two zabar turn into an alif: read one zabar and a 2-count alif — عَلِیْمًا becomes "عَلِیْمَا", ہُدًی becomes "ہُدٰی".
عَلِیۡمًا ← عَلِیۡمَا
Whatever sign it carries, it is read as a sakin ہ when you stop: رَحْمَةٌ → رَحْمَہْ, الْجَنَّةِ → الْجَنَّہْ.
رَحۡمَۃٌ ← رَحۡمَہۡ
The ayah is complete (waqf taam). This is the natural place to stop and take a breath. If a لا is written above the circle, scholars differ on stopping there; both stopping and joining are acceptable.
○
م (waqf lazim): you must stop — joining could change the meaning. ط (waqf mutlaq): stop here. ج (waqf jaiz): stopping is better, joining is allowed. ز (mujawwaz): you may stop, but joining is better. ص (murakhkhas): join if you can; stop only when you need to, for example to take a breath.
م · ط · ج · ز · ص
When لا stands on its own in the line, do not stop there — stopping can break the meaning. If your breath runs out and you stop, go back a word or two and join (i'adah). When لا is above an ayah circle, see the ayah-end rule.
لا
Going back after a stop: you repeat a word or two before the place where you stopped and join them to what comes next, so that the meaning is read complete.
اِعَادَہ
A very short pause: the sound stops for a moment without taking a breath, then you carry on. In the recitation of Hafs it is required in four places: عِوَجًا (Al-Kahf 1), مَّرْقَدِنَا (Ya-Sin 52), مَنْ رَاقٍ (Al-Qiyamah 27) and بَلْ رَانَ (Al-Mutaffifin 14).
مَنۡ ۜ رَاقٍ
When a tanween is followed by a hamzat-ul-wasl, the hamzah drops as you join, and two sakin sounds would meet. So the hidden noon of the tanween takes a zer to link them; the mushaf shows it as a small noon: لُّمَزَةِ ۨالَّذِیْ is read "lumazatinil-ladhee".
لُّمَزَۃِ ۨالَّذِیۡ
"Making easy": when two hamzahs meet, the second is read softly, between a hamzah and an alif. In the recitation of Hafs this is done in one word only: ءَاَعْجَمِیٌّ (Fussilat 44).
ءَاَعۡجَمِیٌّ
"Leaning": the zabar is leaned towards a zer and the alif towards a ی, giving a sound like the Urdu ے. In Hafs it occurs once: مَجْرٖىهَا (Hud 41), where the raa is read "re" — "majrehaa" — and it is read thin.
مَجۡرٖیہَا
An alif that is written in the Qur'an but never read. It has no sign of its own (some copies put a small circle on it). Common places: after the waw of a plural verb — قَالُوْا — and in مِائَةٌ. Read the word as if that alif were not there.
قَالُوۡا · مِائَۃٌ
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